Logo
DiS Needs You: Save our site »
  • Logo_home2
  • Records
  • In Depth
  • In Photos
  • Blog
  • Podcast
  • Search
  • Community
  • Records
  • In Depth
  • Blog
  • Community

THIS SITE HAS BEEN ARCHIVED AND CLOSED.

Please join the conversation over on our new forums »

If you really want to read this, try using The Internet Archive.

Damon & Naomi

The Earth Is Blue

Label: 20/20/20 Release Date: 14/02/2005

8081
Mike_Diver by Mike Diver April 5th, 2005

Released back in February - Valentine’s Day to be precise - Damon Krukowski and Naomi Yang’s latest long-play release is both their first for five years and since departing long-term home Sub Pop - 20/20/20 is their own label. The former Galaxie 500 duo’s USP hasn’t changed - dreamy vocals collide with borderline psychedelic ambiance and traditional indie-pop choruses - and, similarly, the quality remains high.

Early songs like charm the listener effortlessly - the solo on ‘A Second Life’ is a dash of unabashed rock splendour on a record of apologetic understatement, whilst the trumpet of ‘Malibran’ is truly mournful - but the record peaks at one of its two cover versions. D&N’s take on ‘While My Guitar Gently Weeps’ is sublime; the song’s mood isn’t dramatically altered from the original George Harrison version, but its delivery is slowed and the subsequent effect on the listener seems considerably greater. Again, subtle trumpet plays a noticeable part in its appeal. That said, the comparably sorrowful guitars of ‘Ueno Station’ and the title track are just as captivating.

Hardly a record you’d play to a potential partner during Valentine’s courting, such are its melancholy undertones, but The Earth Is Blue is a potent lesson in deceptively simple but exquisitely emotive songwriting, and one that continues to reveal further charms many a listen later.

  • 8
    Mike Diver's Score
Log-in to rate this record out of 10
Share on
   
Love DiS? Become a Patron of the site here »


LATEST


  • Why Music Journalism Matters in 2024


  • Drowned in Sound is back!


  • Drowned in Sound's 21 Favourite Albums of the Year: 2020


  • Drowned in Sound to return as a weekly newsletter


  • Lykke Li's Sadness Is A Blessing


  • Glastonbury 2019 preview playlist + ten alternative must sees



Left-arrow

Big Boss Man

Winner

Mobback
8080
8079

The Grates

The Ouch. The Touch EP

Mobforward
Right-arrow


LATEST

    news


    Why Music Journalism Matters in 2024

  • 106145
  • news


    Drowned in Sound is back!

  • 106143

    news


    Drowned in Sound's 21 Favourite Albums of the Y...

  • 106141
  • news


    Drowned in Sound to return as a weekly newsletter

  • 106139

    Playlist


    Lykke Li's Sadness Is A Blessing

  • 106138
  • Festival Preview


    Glastonbury 2019 preview playlist + ten alterna...

  • 106137

    Interview


    A Different Kind Of Weird: dEUS on The Ideal Crash

  • 106136
  • Festival Review


    Way Out East: DiS Does Sharpe Festival 2019

  • 106135
MORE


    Interview


    Ace of Bass: DiS Meets Royal Blood

  • 97097
  • feature


    DiS meets At the Drive-In

  • 12223

    feature


    A Month in Records: August 2008

  • 33467
  • feature


    Nicky Wire on the press, Shirley Bassey, and th...

  • 50002

    Discography Reassessed


    Oeuvre Here: An 18 Album Voyage Through Ringo S...

  • 100438
  • Interview


    Life, Death and Broken Bells - DiS meets James ...

  • 82768

    In Depth


    Fade to black: DiS meets The Horrors

  • 48012
  • feature


    Radiohead's In Rainbows: the fans' verdict

  • 27997
MORE

Drowned in Sound
  • DROWNED IN SOUND
  • HOME
  • SITE MAP
  • NEWS
  • IN DEPTH
  • IN PHOTOS
  • RECORDS
  • RECOMMENDED RECORDS
  • ALBUMS OF THE YEAR
  • FESTIVAL COVERAGE
  • COMMUNITY
  • MUSIC FORUM
  • SOCIAL BOARD
  • REPORT ERRORS
  • CONTACT US
  • JOIN OUR MAILING LIST
  • FOLLOW DiS
  • GOOGLE+
  • FACEBOOK
  • TWITTER
  • SHUFFLER
  • TUMBLR
  • YOUTUBE
  • RSS FEED
  • RSS EMAIL SUBSCRIBE
  • MISC
  • TERM OF USE
  • PRIVACY
  • ADVERTISING
  • OUR WIKIPEDIA
© 2000-2025 DROWNED IN SOUND